Directed once again by Paul W.S Anderson and starring Milla Jovovich, this movie picks up exactly where Afterlife left off. Alice ends up being captured by the Umbrella Corporation and taken to a secret facility where they intend to do further tests on her. Albert Wesker, who no longer is affiliated with Umbrella after the resurgence of The Red Queen, sends in a special operative named Ada Wong to help Alice escape. Its discovered that the facility that she is being held is underwater in the Antarctic and a special group of soldiers (also sent by Wesker) are being sent in to guide them back to the surface. Their only opportunity to survive is to make their way back to the surface and escape the underwater tomb.

I’ve been a fan of most of the Resident Evil films but this one just didn’t make the cut. The start of this movie showed what happened after the previous film ended……but in reverse and in slow motion. Then they showed the whole sequence again in regular speed. This seemed to be nothing more than a time killer and a waste of 10 minutes of the movie. After that Alice proceeded to retell the whole story of the outbreak from the very beginning again. I think after four movies (and seeing the same thing in each one) we as an audience know how everything began and I felt like this was a waste of another 10 minutes. All it felt like was a recycled film. They pulled everything from the previous movies (and stuff from the games) and pulled them together to make this one. Sounds harsh but it’s entirely true. They’ve taken this franchise and turned it into something different. Sure they include characters from the game to make you feel like it’s Resident Evil but it’s definitely not Resident Evil anymore. I LOVE zombie movies and I was really disappointed that the zombies were really not even the focus. They showed up here and there but were quickly defeated and pushed aside. I think the ultimate bad move was the inclusion of military zombies that drove vehicles, shot guns and rode motorcycles. In my opinion they were trying to capitalize on the whole Call of Duty Zombies craze. Every fight scene was in slow motion and had too much wire work. I mean how many times can you see Alice do a triple back flip then kick a zombie in the head and still say “I totally believe that could happen”. The dialogue was horribly written and extremely cheesy. It just made everyone seem so robotic. Anderson just needs to stop making these movies, wait a few years and let the studio reboot it or something. It’s gone too far. It was entertaining in moments but those moments weren’t enough to make this a hit for me. I say watch it if you must but I would call this a “wait for Redbox or Cable” kind of movie. It’s a shame too.

NEW YORK NY, Sept. 14, 2012 – HBO Documentary Films has acquired the U.S. television rights to Oscar®-nominated director Liz Garbus’ feature documentary film LOVE, MARILYN, it was announced today.  The film had its world premiere at the Telluride Film Festival and a Gala Screening at the Toronto International Film Festival on Wednesday evening.

Coinciding with the 50th Anniversary of Marilyn Monroe’s death, LOVE, MARILYN features remarkable footage and audiotapes along with Marilyn’s own handwritten letters, diaries, notes, poems, journals and notebooks, which document her private life against the backdrop of her very public life and loves.  The film also includes readings and appearances by F. Murray Abraham, Elizabeth Banks, Adrien Brody, Ellen Burstyn, Glenn Close, Hope Davis, Viola Davis, JenniferEhle, Ben Foster, Paul Giamatti, Jack Huston, Stephen Lang, Lindsey Lohan, Janet McTeer, Jeremy Piven, Oliver Platt, David Strathairn, Lili Taylor, Uma Thurman, Marisa Tomei and Evan Rachel Wood.  Interviews and archival footage features Arthur Miller, Joe DiMaggio, Amy Greene, Molly Haskell, Truman Capote, Norman Mailer and Elia Kazan among many others.

“This film was an incredible journey and I’m so happy to be continuing it with my HBO family who have embraced the film in an extraordinary way,” said Garbus.

Added producer Stanley Buchthal, “My journey began in 1980 when I first met Lee Strasberg, and continued to 2009when I co-edited Marilyn Monroe’s diaries and poems.  The tremendous odyssey continued when Liz Garbus and I joined to offer the world a unique new insight into a remarkable 20th-century icon, Marilyn Monroe.  I am personally delighted to be in business again with the HBO family.”

The deal was negotiated by David Koh & Josh Braun & Dan Braun of Submarine Entertainment along with Stanley Buchthal of Diamond Girl Production, LLC and Harold Van Lier of Studio Canal on behalf of the producers and director with HBO.

LOVE, MARILYN is written, directed & produced by Liz Garbus; produced by Stanley Buchthal and Amy Hobby; executive produced by Anne Carey, Olivier Courson, Harold Van Lier, Enrique Steiger; edited by Azin Samari; cinematography by Maryse Alberti; music by Philip Sheppard; music supervisor, Bonnie Greenberg.

Capcom®, a leading worldwide developer and publisher of video games, today announced MARVEL® VS. CAPCOM® ORIGINS, a compilation of two of the most popular arcade games of the 90’s; Marvel® Super Heroes and Marvel vs. Capcom®: Clash of Super Heroes. MARVEL VS. CAPCOM ORIGINS will be released in September 2012 on Xbox LIVE® Arcade for the Xbox 360® video game and entertainment system from Microsoft and PlayStation®Network.

MARVEL VS. CAPCOM ORIGINS offers both the one-on-one gameplay of Marvel Super Heroes with its unique Infinity Gem system and the two-on-two carnage of the original Marvel vs. Capcom®: Clash of Super Heroes, featuring a tag system, assists, and the wild Duo Team Attack. Bringing forth a host of features never before seen in these games, MARVEL VS. CAPCOM ORIGINS features GGPO-enhanced online play with 8-player lobbies and spectator mode, HD graphical upgrades, dynamic challenges and replay saving.

MARVEL VS. CAPCOM ORIGINS will be available for download on Xbox LIVE Arcade for Xbox 360 for 1200 Microsoft Points and on PlayStation®Network for $14.99/€14.99/£11.99/AUD23.95.

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Check out the trailer and photos below!

 

 

 

 

 

 

 

 

 

Directed by a numerous amount of people (Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg and the group known as Radio Silence) this movie is about a group of young guys that are hired to break into a home a steal a specific VHS tape. To their surprise they find a collection of tapes stacked throughout the house. One of the guys goes through the tapes trying to find the one they were hired to grab but he quickly realizes what he’s watching is footage of grisly murders and supernatural happenings.

V/H/S takes the “found footage” and “anthology” genres and really turns it into something fantastically creepy.  Just a few weeks ago someone asked me what movie I thought was scary/creepy and it took me a long time and I still couldn’t think of anything. As of now this one takes that spot. The way this movie played out was something I’ve never seen. There is five short films that are wrapped in a sixth one that served as the main storyline. Each one was innovative and a very unique take on each subject. I think one of the things that made this fairly eerie was that the way that each short was filmed. Each director made it look as real as possible and used really clever camera work. The other being the way that us as viewers are basically seeing what they are seeing and what we see is what basically fits in the viewing area of a handheld camera. Between each one you’re brought back to the main story and reminded that there are people watching these tapes. I thought this was a fantastic way of weaving them all together for a purpose and not just lump them all together for the sake of making a regular anthology film. I will say that the Creepshow films are some of my favorite film of that genre (Not including Creepshow 3. We just won’t talk about that one) but V/H/S could definitely sit right next to it and become a cult classic horror film that people will love to watch ten years down the road. I purposely didn’t want to go in depth too much about each short beacause I want every person out there that reads this to go check it out. I’m certain you’re going to love it and remember to watch it in the dark.

 

 

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